[Download] Hideous Progeny - Disability, Eugenics, and Classic Horror Cinema (Film & Culture) de Angela Smith Ebooks, PDF, ePub
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Hideous Progeny - Disability, Eugenics, and Classic Horror Cinema (Film & Culture) de Angela Smith
Descripción - Críticas ... Hideous Progeny is a valuable contribution to discussions of disability, spectacle, and eugenics in genre fiction and film. -- Hannah Tweed, University of Glasgow H-Net Reviews Reseña del editor Twisted bodies, deformed faces, aberrant behavior, and abnormal desires characterized the hideous creatures of classic Hollywood horror, which thrilled audiences with their sheer grotesqueness. Most critics have interpreted these traits as symptoms of sexual repression or as metaphors for other kinds of marginalized identities, yet Angela M. Smith conducts a richer investigation into the period's social and cultural preoccupations. She finds instead a fascination with eugenics and physical and cognitive debility in the narrative and spectacle of classic 1930s horror, heightened by the viewer's desire for visions of vulnerability and transformation. Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics. She also notes the genre's conflicted and often contradictory visualizations. Smith ultimately locates an indictment of biological determinism in filmmakers' visceral treatments, which take the impossibility of racial improvement and bodily perfection to sensationalistic heights. Playing up the artifice and conventions of disabled monsters, filmmakers exploited the fears and yearnings of their audience, accentuating both the perversity of the medical and scientific gaze and the debilitating experience of watching horror. Classic horror films therefore encourage empathy with the disabled monster, offering captive viewers an unsettling encounter with their own impairment. Smith's work profoundly advances cinema and disability studies, in addition to general histories concerning the construction of social and political attitudes toward the Other. Biografía del autor Angela M. Smith is assistant professor of English and gender studies at the University of Utah. Her essays have appeared in Post Script and College Literature as well as in the anthologies Horror Zone: The Cultural Experience of Contemporary Horror Cinema and Popular Eugenics: National Efficiency and American Mass Culture in the Thirties.
Detalles del Libro
- Name: Hideous Progeny - Disability, Eugenics, and Classic Horror Cinema (Film & Culture)
- Autor: Angela Smith
- Categoria: Libros,Arte, cine y fotografía,Películas
- Tamaño del archivo: 7 MB
- Tipos de archivo: PDF Document
- Idioma: Español
- Archivos de estado: AVAILABLE
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Hideous Progeny: Disability, Eugenics, and Classic Horror ~ Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics.
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Hideous Progeny / Columbia University Press ~ Reading such films as Dracula (1931), Frankenstein (1931), Dr. Jekyll and Mr. Hyde (1931), Freaks (1932), and Mad Love (1935) against early-twentieth-century disability discourse and propaganda on racial and biological purity, Smith showcases classic horror's dependence on the narratives of eugenics and physiognomics.
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Freaks (1932 film) - Wikipedia ~ Freaks is a 1932 American pre-Code horror film produced and directed by Tod Browning, and starring Wallace Ford, Leila Hyams, Olga Baclanova and Roscoe Ates.It follows a trapeze artist who joins a group of carnival sideshow performers with a plan to seduce and murder a dwarf in the troupe to gain his inheritance, but her plot proves to have dangerous consequences.
Download Visibility Machines – PDF Search Engine ~ The exhibition initiates critical questions about the crucial part images play in revealing essential but largely concealed information affecting civilian life, and places the oeuvres of Harun Farocki and Trevor Paglen within the broader cultural and historical developments of the media they are creatively working with, namely photography, film, and new media."--Publisher description.
Displaying items by tag: science fiction - Academic ~ Fantasizing Disability. . Fantasy (as well as science fiction and horror and all of their subgenres) abounds with disability tropes such as the curse of disability, the magical cure as a reward, . Science fiction film has long explored medical science’s quest for perfection of the human physical form.
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